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The fundamental questions
asked to discover the circumstances of a character. Who
am I? What am I doing? When is this? Where am I? Why am
I here? |
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Walkthrough |
A running of a fight
for the moves only and at no great pace. |
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Wall
hanger |
Decorative sword
designed for display and not for combat. |
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Ward |
(Guard position)
Another term for the guarding of a particular line. |
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Wardrobe |
The department in
charge of the actors clothing. |
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Warning
Lines |
Lines drawn one metre
(for foil) or two metres (for epee and sabre) from the
rear limits of the piste, at which competitors are warned
that they are approaching the rear limit. |
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Warm
up |
The mental and physical
preparation of the body, before a fight , rehearsal or
performance. |
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Warm
down |
The mental and physical
calming of the body, after a fight , rehearsal or performance.
This prevents lack of stiffness etc. |
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Watch
parry |
Slang for parry of
prime, as it positions the combatants weapon bearing wrist
in front of his/ her eyes, as if checking the time. |
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Weapon
bearing line |
Line defended by
the weapon bearing hand. |
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Wide
Angle Lens |
(Film) A lens with
a wide angle of acceptance. It's effect is to increase
the apparant distance between foreground and background
objects. |
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Window
parry |
Slang for the reversed
parry of five. |
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Wipe |
(Film) Optical transition
between two scenes that appears as a line moving across
screen. |
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Wrap
and trap |
Secure disarm executed
by wrapping the free hand about the blade of the opponents
and gripping the guard. |
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Wrist
cut |
A cut made from the
wrist, or to the wrist. |