|
Rapier |
Long
thrusting sword developed in Italy in the 1480's. Originally
used for both cut and thrust, the rapier became a weapon
primarily used for thrusting. Over one hundred variations
were developed. |
|
Rapier
and dagger |
A fashionable
style of sword play during the late 16th and early 17th
centuries, where the rapier in the right hand was counterbalanced
by a dagger (main gauche) in the left. |
|
Rapier
hilt |
Consisted
of three types, cup, swept and ring. |
|
Rapier,
age of |
(circa
1550-1625) The beginning of the Golden age of swordplay,
when armour began to be abandoned (due to developments
in firearms), the weapon became a part of every gents
attire and schools of fence were established in most Western
countries. |
|
Rassemblement |
Bringing
your feet together, front foot to back foot while rising
to full height. |
|
Reaction |
Response
to a stimulus. A reflex or controlled reflex action. |
|
Reactive
sounds |
Involuntary
sounds made in response to physical activity within a
fight. |
|
Rear
foot |
Lag foot. |
|
Recover |
Return
to the previous guard position. |
|
Recover
back |
To move
back to the guard position. |
|
Recover
forward |
To move
the lag foot forward from a lunge into a guard position,
thus gaining ground. |
|
Recovery |
a/ The
action of returning to a guard position. b/ The means
of achieving a hit on your opponent when things look grim.
To make a good recovery. |
|
Redouble |
To repeat
an attack or blow. |
|
Redoublement |
a/ The
replacement of an attack after being parried (without
riposte), in a different line, by adding a movement of
the blade or arm. It can be simple or compound. It is
a variety of renewed attack. b/ A renewal of attack while
remaining on the lunge which includes one or more blade
movements. |
|
Refusing
the blade |
To avoid
the crossing or engaging of blades, by means of a changement. |
|
Reinforced
parry |
Parry
braced by the non weapon bearing hand, to provide support. |
|
Remise |
A parried
attack that is renewed in the same line with no additional
movement of the blade, arm or body. It can be made in
the lunge against an opponent who parries and delays the
riposte, one who parries and compounds his riposte, or
one who ripostes indirectly in two periods of fencing
time. |
|
Renvers |
a/ To
reverse or turn upside down. b/ A cutting attack made
with the false edge of the blade. |
|
Renewed
attack |
A second
offensive action immediately following the failure of
the first attack. (remise, redoublement, reprise) |
|
Repartee |
Repeated
jabbing motions made by extending and withdrawing the
sword arm. |
|
Replacement |
Often
used as an alternative term for the remise or redoublement,
but usually to describe "digging in" with the point when
the initial attack was flat, or withdrawing and jabbing
when the initial attack went past the target |
|
Replacement
beat |
Double
fence parry where the opponents weapon is halted by an
initial parry from one weapon and then beat away by the
second. |
|
Replacement
parry |
Double
fence parry where the attacking blade is stopped with
a single weapon parry and then engaged and cleared by
the second weapon. |
|
Reprise |
The renewal
of attack by first returning to guard, forward or back.
It may be simple or compound and is made on an opponent
who parries, steps backward and does not riposte or simply
does not riposte. |
|
Repro |
A reproduction,
a fake. |
|
Resting
guard |
Guard
position where the pommel rests on the thigh of the weapon
bearing side. |
|
Retire |
To retreat
or surrender ground. To step back. |
|
Retreat |
a/ Action
of footwork used to step back, without either foot passing.
b/ To withdraw in the face of danger. |
|
Return
beat |
Beat
attack executed in immediate reply to one's opponent's. |
|
Reverence |
Salute |
|
Reverse |
a/ Cutting
attack delivered backhand from the inside line. b/ To
change the direction of foot, blade or body movement. |
|
Reverse
beat |
A change
beat or, at sabre, a beat made with the back of the blade. |
|
Rhythm |
The variables
of rate in sound and movement within a fight. |