| |
a/ The back or false edge of the
blade b/ To move backward. e.g. to step back. |
| BCU |
(Film) Big close up. |
| Back
lighting |
Lighting from behind the subject
in order to achieve for example, a silhouette. |
| Back
pedal |
To move backward while still facing
your opponent. |
| Backsword |
An eighteenth century weapon similar
in style to the Scottish Claymore. Sword with straight one edged
blade. |
| Backswording |
a/ Practice of the backsword b/
Cutting attacks made from the elbow or wrist, made with the false
or back edge of the blade. |
| Backward
lunge |
An evasive action which removes
the body backwards out of opponents the attack, while still facing
the opponent. |
| Backward
spring |
A leap backwards, out of distance,
from the lunge. |
| BADC |
The British Academy Of Dramatic
Combat. London based fight organisation. |
| BAF |
British Academy of Fencing. A professional
body which governs coches of the sport of fencing. |
| BAFD |
Former name for the BADC and BASSC
before they split due to politics and wrangling. A sort of feud
exists to this day. At least that's how it appears to the outside
eye. |
| Balance |
The state in which a combatant
keeps weight distribution divided equally between his feet. |
| Baldric |
A belt or girdle, usually of leather,
that supports the weight of the wearers sword across his/ her chest. |
| Balestra |
Italian term for a compound piece
of footwork which rapidly closes the distance between opponents,
usually, but not always followed by a lunge. A form of preparation.
a short jump forward during an attack. |
| Ballock
Dagger |
14 -17century dagger with two lobes
at base of grip. Phallus like. |
| Barrage |
Play off bout or bouts between
tied fencers for promotion to a higher round in a tournament or
to determine first place in a final round. The tie would be in the
number of bouts won and lost in the round. A TIE. |
| Basket
Hilt |
Popular cavalry sword, still in
ceremonial use today. The basket shaped hilt of the weapon envelopes
the hand offering some protection. a hilt enclosing the hand constructed
of bars and broad plates. |
| Bassa |
Low line. |
| Basso |
Literally "low" or "lowered". Used
in reference to the lowest immediate target on the opponents
body. The knee or foot. |
| Bastard
Sword |
Also known as a hand and a half.
A sword which can be used with one or both hands. |
| Battement |
(See beat.) |
| Battre
de main |
To parry with the hand. |
| Beat |
a/ A sharp striking movement made
on the opponents blade, causing a deflection or obtaining a reaction
from it - a preparation. b/ Theatrical term applied to key sequences
within a play or an within an actor's performance. A play or performance
can be broken down into these key "beats", each advancing the story
or a character's development. |
| Beat
disarm |
A beat on the opponents blade which
results in a disarm. |
| Beat
Parry |
A parry that punches the opponents
blade sharply off line. |
| Besnard,
Charles |
Seventeenth century master of the
"Academie Royale d'Arms. Introduced the salute proceeding a bout. |
| Bind |
A method of removing the offending
blade by taking the opponents foible (pris d'fer) from a high to
a low line and vice versa, diagonally across the line of engagement. |
| Bind
away |
A bind which throws the opposing
blade off line with force. |
| Bind
over |
A bind which carries the blade
up and over, then down the opposite side. Used to disarm or pin
opponents weapon. |
| Blade |
The part of a cut and thrust weapon
with which main attacks are made. The tip, foible (feeble), middle,
and forte. |
| Black
box |
Theatre which is an empty space,
to be filled in any configuration of audience and stage area. |
| Block |
a/ Defensive action designed to
stop opponents attack by placing a barrier in it's path. e.g. with
your own blade or with a shield or even arm. b/ The process of laying
out the action in a fight or within a play. Known as blocking. |
| Blood
bag |
A small bag filled with fake "blood",
which an actor bursts when struck by a weapon. Unreliable messy
little things which drive wardrobe crazy. |
| Blueing |
The surface colouring of steel
by machine or chemical means. |
| Boar's
thrust |
A violent thrust punched into the
body of an opponent after the sword hand is suddenly dropped to
the level of the knee. |
| Boat
Shell Hilt |
A sword with a heart shaped hilt
in front of the hand. |
| Bodkin |
Skewer-like piece of cutlery used
in skinning and preparing of game. |
| Body
blow |
An armed or unarmed attack on the
body intended to hit or appear to hit. |
| Body
Double |
(Film) An actor or stuntman that
replaces the actual actor for difficult or dangerous moments, or
in times when the actual actor is only partially in shot. |
| Book |
1/ Another term for the script.
2/ The DSM's script which has all moves, cues, changes etc. marked
in it. |
| Botta |
An attack from it's beginning to
completion. A blow or thrust. |
| Botta
Dritta |
A pronated thrust from the right.
The straight thrust. |
| Botta
in tempo |
Attack while the adversary is preoccupied
with a parry, bind or feint. |
| Botta
Lunga |
Grand lunge. Classical movement
which replaced passing in the seventeenth century. |
| Botta
Secreta |
A fabled "mystery" attack or hidden technique. |
| Bout |
A sequence of activity between two fencers.An
assault between two fencers in which hits are scored. |
| Break |
A pause between sections in theatrical swordplay. |
| Breakaway |
Props or set pieces with sections designed
to come away. |
| Breaking
ground |
Rendering ground to your opponent due to foot
movements. retiring by stepping backwards. |
| Bridge |
A move which links two actions in theatrical
combat. This may be a step for balance, or a blade movement, preparation
etc. A "bridging" move. |
| Broadsword |
A term which applies to almost all swords of
the medieval period. Reasonably heavy weapon almost always with
cross guard quillions. A sword with a broad two edged blade. |
| Brochiero |
Variety of Buckler. |
| Broken
time |
When two movements in a sequence are deliberately
configured not to follow immediately after one another, in
order to gain an advantage on one's opponent. |
| Buckler |
Small usually round shield generally used in
the middle ages and early renaissance. Sometimes called a target.
Often fitted with a central boss or spike. |
| Burgonet |
16th - 17th century light open faced helmet
with peak and cheek pieces. |
| Button |
Round metal or plastic bulb used to blunt the
tip of blades for practice. |
| Byknife |
Knife fitted in the sheath of a dirk. |